Osvaldo Delbrey Ortiz




💡️ Projects
  1. Ecosystems of Dissent
  2. Fringe Timber
  3. School for the Communer Nation
  4. Pop Vernacular
  5. Uncanny Storytellers
  6. Traces
  7. Garden of Delusion
  8. Sites Queer Exhibition
  9. Makergraph Book
  10. Snippets

🔨️ Making
  1. Models
  2. Objects

💻 Editorial
  1. Patio Magazine
  2. Log / Anyone Corp
  3. New York Review of Architecture
  4. Events

🙋🏽‍♂️ODO—Info ︎
  • Osvaldo Delbrey is a Puerto Rican architectural designer and a wannabe editor. From design to editorial, his work focuses on understanding the politics of architecture, making sense of coloniality in Latin America and the Caribbean, and finding beauty in the banal.

  • Columbia University Graduate School of Architecture, Planning and Preservation.  
    — Master of Architecture

  • University of Puerto Rico School of Architecture
    — B.S. Environmental Design



    oad2111@columbia.edu
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    3. School for the Commuter Nation

    NY / 2020
    From GSAPP Core II  Studio

                Born from a critical look into migration patterns of the Puerto Rican people over recent years, the School for the Commuter Nation questions the traditional spaces and experiences that are admitted into the school program to address issues of American colonialism affecting Puerto Rican cultural and politica agency. By incorporating mundane and even frowned upon activities of the Puerto Rican community, it attempts to generate a sanctuary space for their identity to exist outside of the American cultural ‘policing’ in hopes that it will feed into the education and sense of self of new generations.

    The school negotiates its encounters betwee the two programs through common spaces and schedule overlaps in order to establish what will be accessible, and at what time, to the students or to visitors of the enclaves. The enclaves occupy 18 interstitial spaces and generate new residual spaces that are sometimes used for utilities or buffer bettween the two, and sometimes serve as the link giving away what is between the walls. The traces of both programs’ users are picked up by the users of the other, constantly generating dialog of the two lives of the building.




    Mark