Osvaldo Delbrey Ortiz




💡️ Projects
  1. Ecosystems of Dissent
  2. Fringe Timber
  3. School for the Communer Nation
  4. Pop Vernacular
  5. Uncanny Storytellers
  6. Traces
  7. Garden of Delusion
  8. Sites Queer Exhibition
  9. Makergraph Book
  10. Snippets

🔨️ Making
  1. Models
  2. Objects

💻 Editorial
  1. Patio Magazine
  2. Log / Anyone Corp
  3. New York Review of Architecture
  4. Events

🙋🏽‍♂️ODO—Info ︎
  • Osvaldo Delbrey is a Puerto Rican architectural designer and a wannabe editor. From design to editorial, his work focuses on understanding the politics of architecture, making sense of coloniality in Latin America and the Caribbean, and finding beauty in the banal.

  • Columbia University Graduate School of Architecture, Planning and Preservation.  
    — Master of Architecture

  • University of Puerto Rico School of Architecture
    — B.S. Environmental Design



    oad2111@columbia.edu
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    7. Garden of Delusion





    SJ / 2017
    From Chimeric Architectures Studio

                Sometimes architecture and storytellin go hand in hand. As an allegory for the Puerto Rico-US political relationship the Garden of Delusions paints an architectural story. The project imagines a society where its inhabitants work together to produce local economy in the form of sound by ringing bells. The profist benefit a super power that govern it, without the citizens knowing the backdoor politics. In this way, the proposal acts as a political, economic and social critique to the colonial status of the island of Puerto Rico.

    A bank, judges, bell towers, a labyrinth, an amphitheater and loud playgrounds are all par of the seemingly pleasant life in the garden. The main structures bear striking resemblance to a power plant; a marble cooling tower sits in the middle of their site, colorful pipe lines run across their skyline and tall pink vapor vents fume constantly into the sky. As it turns out, their architectural surroundings gives hints of its sinister reality.

    Within this engineered colony there are certain architectural apparatus of control that accidentaly provide space for dissidence. Such is the case of the laberynth, an apparatus put in place as a means of control where snitches could sneek to tell on their peers to the judges, now becoming a space for speculation amongst some suspecting inhabitants.








    Mark